![]() However, the report also acknowledges there are significant risks with each project, including the fact that there may not be enough funding to support both of them.Įven with the new federal funding, the TMT - now estimated to cost $2.65 billion - is looking at a shortfall of $310 million, according to the report, while the GMT faces an even larger deficit of $600 million. ![]() “These observatories will create enormous opportunities for scientific progress over the coming decades and well beyond,” the report says. in a leadership role in ground-based astronomy. Three years in the making and designed to set federal funding guidelines for the next 10 years and beyond, the report describes both the TMT and the GMT as essential for keeping the U.S. “We will review the full report carefully and evaluate our next steps.” “We are grateful for the science community’s support for our project, and acknowledge it is just one step in a process,” said Henry Yang, board chairman of the TMT International Observatory. TMT officials welcomed the recommendations of the panel of astronomers assembled by the National Academy of Sciences, Engineering and Medicine. Extremely Large Telescope Program - share at least $1.6 billion. The decadal survey report is recommending that the two facilities - now planned to work together as the U.S. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.The Thirty Meter Telescope scored a significant victory Thursday when a federal report ranked the proposed cutting-edge observatory and its U.S.-led cousin, the Giant Magellan Telescope, planned for Chile, among its top priorities for U.S. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. ![]()
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